大调与小调的区别自由派音乐理论-中文版

Created: 2025-05-10

古典音乐界制定了规则，确保大调和小调分开。这个系统限制了每个大调/小调使用的和弦，使大调变亮，小调变暗。(这也是为什么本来应该是后置的音乐理论有“规则”的原因之一。)

Created: 2025-05-10

古典音乐将大调和小调视为镜像对称的存在，这种观点被称为二元论（英 dualism）。1 .tbdebb1d2-1d5c-4664-8f49-1187ae1b066e { color: #222; background: fff; border: 1px solid transparent; border-radius: 3px; padding: 8px 21px; }

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更狭义地说，试图在大调和小调之间找到“数学”对称的思想被称为二元论。提倡“狭义二元论”的代表性音乐学家就是我在序言中介绍过的德国音乐学家雨果 · 雷曼。爵士乐派虽然不像古典乐派那样严格，但也继承了大/小二分法的思想。

See in context at 大调与小调的区别自由派音乐理论-中文版

Created: 2025-05-10